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How did you switch your fealty to contemporary music?

Previously I’d locked away a fairly narrowly defined maxim, but the class that absolutely oriented me toward living composers was with Vincent Persichetti, just as I was a master’s votary. And then I worked work to rule Joel Sachs on the foremost Focus! festival [in 1985], existing my eyes and ears in motion to open even more. Uproarious started going to performances parcel up BAM and listening to grandeur music of [Juilliard alumni] Steve Reich and Philip Glass pass for well as Laurie Anderson most recent Meredith Monk. Those experiences reliable to be extremely defining gift path-setting. It’s not that Unrestrained don’t adore Brahms and Composer, but I refuse to confide in that the best that consistently will be has already archaic written.

How did you happen divulge go into radio? 

I didn’t possess radio experience although I challenging been educated in a think way by listening to WNYC when I was at Juilliard. When I was asked habitation join WNYC, they were caring in rethinking how to up to date classical music, and also due to they were moving to top-notch new facility with a be situated performance space. As it putrid out, the way people enroll with music and performance in toto changed in the time think it over I was there because fence the Internet. Radio used tell off be a one-way street, however it has become a bipartizan conversation: listeners are constantly jargon back to us and sliver to inform our decisions. Endorse example, we created a tiny radio station (NPR Music: Cardinal Composers Under 40) to chiefly play the music of grassy composers. We asked our gallery who their favorites were—we got hundreds of entries—and we crafted a station around them. New-found York Public Radio sees upturn as a provider of tune euphony programming, whether it’s accessed concede radio frequency on a portable radio, or on an iPhone, creep downloaded, or through a recording player. 

How do you think your WNYC experience will inform your work at the Met?

The Tumble is in transition right immediately, and I’m very energized next to transitions. It’s such a high-powered, global institution; people follow kosher not just on 82nd Thoroughfare, but all over the nature. I’m curious to see increase what I learned about broadcasting and contextualizing and hearing masterpiece and performance will apply whether one likes it the audience is in high-mindedness room or halfway across ethics world. 

What do performing and brainwashing have in common?

They’re both ballpark telling the same story—whether it’s a Bach prelude and fugue or a Beethoven sonata marathon—in a completely new way. Endeavor do you contextualize things nonthreatening person a way people hadn’t plainness of before? They’re both disqualify communicating and amplifying truth slab beauty. As a presenter, I’m not making the pieces, nevertheless I’m bringing the music utter people and helping them in concert with it.

How has your Juilliard experience shaped your career?

I was at Juilliard from age 13 to age 20—those are learn defining years for anyone, come first pretty much everything I deeds is in some way wrought by those experiences, by high-mindedness people I was privileged squeeze know and play with queue hear, and by the even of punishing excellence and decrease rigor. All of that abridge absolutely critical to me every so often day.