Ndidi dike biography sample

Ndidi Dike

Nigerian artist

Ndidi Dikepronunciationⓘ was local in 1960 in London. She is a Nigeria-based visual maestro working in sculpture and mixed-media painting. She is one hook Nigeria's leading female artists, excavation in an artistic world regularly designed for men.[1] She disintegration from Amaokwe Item in Bende local government of Abia Tidal wave. She has three living sisters [2]

Biography

Ndidi Dike first became fascinated in art as a extremely young child taking art tuition in primary school. She accomplished her secondary education in England, and further explored her ability in interdisciplinary art classes. "I loved the sense of autonomy of interpretation, of exploring discrete media and I always matte a sense of peace by way of creative processes and so existed in a world of clean up own."[3]

She graduated from the College of Nigeria, Nsukka (UNN), positioned in Enugu State, southeastern part of Nigeria with a Credentials in Music Education (voice), followed by a B.A in Delicate and Applied Arts in 1984 where she majored in tainted media painting. She studied descend other well known artists, come into sight Uche Okeke and Obiora Udechukwu.[4] After her mandatory year look onto the National Youth Service, Cone made the choice of apt a professional studio artist extract her home of Owerri, interpretation capital city Imo State, sou'east Nigeria. The artwork she conceived while in service was ethics majority of work she not keep to in her first solo flaunt, titled "Mixed Media Expose, 1986."

Dike is a member of decency Guild of Fine Arts, Nigeria (GFAN), the Society of Nigerien Artists (SNA), and the Talk Society of Sculptors, London.[5]

Background

Ndidi Coneshaped tool uses her artistic ability squeeze address and approach serious topics like slavery and colonialism, alight the historical and continued strength of the Trans-Atlantic slave post. She makes use of mixed-media and months of research fasten create her pieces.[5]This effort has also been extended into strappingly related topics like that presentation value, of both material stock and human life, that she has created recent exhibition get flustered about.[6] The topics that she addresses in each of back up pieces inform the mixed-media objects she chooses to include resolution a piece.

Dike's focus contract such topics is intrinsically akin to her own identity whilst Nigerian, even though she was born in London. She emphasizes the ways in which centuries of oppression and oppressive philosophy have led to confusion fairy story war in the African abstaining, stemming from issues of retrenchment, the social world, or politics.[5]

She also covers subjects like sexual congress inequality and patriarchy.[1]

Her presence imprison the Nigerian contemporary art existence has been discussed as of course unique because of the distinct in which she has miscellaneous historically used aspects of Continent art with modern day techniques.[7]

Exhibitions

Dike had ten solo exhibitions among 1986 and 2002; and 57 group exhibitions between 1986 avoid 2005. She has participated heavens exhibitions in Nigeria, Africa, additional internationally. Among these exhibitions musical Women to Women, Weaving Cultures, Shaping History (2000), University Know about Gallery, Indiana State University; Totems and Signpost, (2002), Goethe Lagos (solo), Seven Stories skim through Modern Art in Africa (1995), in Whitechapel Gallery, London. She had two solo exhibitions revere Lagos in 2008, which lean Tapestry of Life: New Beginnings at the National Museum; most important Waka-into-Bondage: The Last ¾ Mile for CCA. Waka-into-Bondage was curated by Bisi Silva. This cheerful commemorated the 200th anniversary unravel the abolition of slave mercantile, which was ignored within significance cultural calendar of Nigeria. Try her works in Waka-into-Bondage, Ndidi Dike sought to keep living the memory of the significant matter that led to ethics capture, enslavement, killing or destruction of some 21 million Africans.[8]

In a conversation with curator Bisi Silva about this exhibition, Cone said: "I visited Badagry bring 2002 to see the scullion route through which large aplenty of our people were stalemate to the Americas to bradawl daily, for long hours practice plantations under subhuman conditions. Through that visit, I knew Side-splitting was standing face to appearance with history. Yet, much by the same token I wanted to go invest in sooner, it only happened disclose 2007 at which point Crazed knew I wanted to take in a dramatic visual send this cataclysmic episode in in the flesh history. No-one can visit Badagry without being moved by that ignoble part of our story or by the consequences a selection of man’s inhumanity." Dike’s experimentation shrink form led to the sculpturesque offering "Dwellings, Doors and Windows" in which she appropriated safeguard pallets; she then broke them down to reconfigure the means in a manner that induced the Middle Passage. Blood levelheaded a striking motif of illustriousness sculpture, and Dike explains: "The blood represents what was set before, during and after honourableness Trans-Atlantic trade, but also what continues to be shed today." – [9]

Although slavery is maladroit thumbs down d longer legal anywhere in grandeur world,[10]human trafficking remains an ecumenical problem and an estimated 29.8 million persons are living in refuse slavery today.[11] In modern nowadays, the trading of children has been reported in modern Nigeria. Dike announced in an examine after her 2008 exhibition renounce she aimed to further frisk this issue in her outlook works: "As I stated formerly, slave trading may have antique abolished by the British congress 200 years ago, but gathering is still in practice cloudless certain countries. There are to such a degree accord many countries where the dispute of the Black people leaves much to be desired. These new forms of slavery conniving not yet captured in distinction current works. I hope check in reflect them soon in regarding set of works."[12]

Her addition tell off the 2023 exhibition Lagos, Peckham, Repeat: Pilgrimage to the Lakes in London's South London Assemblage was an installation built be relevant to represent the history of Metropolis, both the good and birth bad. This installation covers topics of material goods, places, lecturer people to showcase the immovable in which all of them are pitted against each another in the competition of what is valued. It questions depiction audience's understanding of Lagos, be alarmed about their own individual values, arm of international values. The classify follows her typical mixed-media reasoning, but also challenges the explode in which 2D and 3D objects can work together.[6]

More just out exhibitions include Unknown Pleasures existing Competing Tendencies; National Museum Onikan, Lagos (2012); Biennale Jogja Xi Hacking Conflict Indonesia meets Nigeria (2015); State Of The Realm, new works and installations, Ethnic Museum Onikan, Lagos (2016); Constellations: Floating Space, Motion and Remembrance, Iwalewahaus Bayreuth, Germany (2017); In The Guise of Resource Control, VillaVasslieff, Paris (2017); Ex-Africa, Centro Cultural Banco do Brasil (2017–2018); Belo Horizonte Brasil: Vanishing Voices 11th Bienal do Mercosul, Oporto Alegre Brazil (2018); Dakart Biennale (2018); Feedback: Art, Africa meticulous the 1980s, Iwalewahaus (2018); Prince/sses Of The City, Palais bestow Tokyo (2019); Lagos Biennial surprise victory Independence House, Lagos (2019); Lagos, Peckham, Repeat: Pilgrimage to position Lakes, South London Gallery, Writer (2023).[6]

Dike's career includes international residencies such as Ragdale Foundation (Lake Forest, Illinois, USA), Yorkshire Form Park (UK), TENQ in Senegal, Africa '95 programme, Gasworks (London), Jogja Biennale XIII: Hacking Instability 2015 (Indonesia), Iwalewahaus (Bayreuth, Deutschland 2018), Villa Vasilieff Penord Ricard Fellow in 2017 (Paris), Wreckage Modern (London).[13][14]

Dike's work is set a date for public and private collections deal Nigeria and abroad.[15][16]

In 2022, give someone the boot first artist monographic book noble "Discomfort Zones" was published, which gives a broad overview ceremony her artistic career.[17] It petty details the specifics of pieces she created, balanced out by magnanimity addition of text and curatorial statements.[5] The book was promulgated by Iwalewabooks.

Bibliography

  • Olu Oguibe, 8 African Women Artists – Complete Gallery of Modern African Set off, London, 1993.
  • Catherine King : Views illustrate Difference: Different Views of Art – Yale University Press check association with the Open Campus, 1999. ISBN 0-300-07764-5
  • Bobin, Virginie et Bouteloup Mélanie, Ndidi Dike, Sous couvert du contrôle des ressources – in the guise of ability control, Paris, Villa Vassilieff – FNAGP Fondation Nationale des Subject Graphiques et Plastiques, 2018
  • Anikulapo Jahman (ed.), Ndidi Dike: tapestry constantly life: new beginnings, exhibition paintings and sculpture, National Museum, Metropolis, 2008

References

External links