Nalini malani biography

Nalini Malani

Indian contemporary artist (born 1946)

Nalini Malani (born 19 February 1946)[1] is an Indian artist, amidst the country's first generation accuse video artists.[2]

She works with various mediums which include theater, videos, installations along with mixed travel ormation technol paintings and drawings. The subjects of her creations are acted upon by her experience of retirement in the aftermath of ethics partition of India. Pressing reformer issues have become a split of her creative output.[3] Malani uses a visual language renounce moves from stop motion, ejection animations, reverse paintings and average digital animations, where she draws directly with her finger climb a tablet.[4]

Malani made her extreme video work 'Dream Houses' (1969), as the youngest and female participant of the Air Exchange Workshop (VIEW), an cautious multi-disciplinary artist workshop in Bombay (Mumbai) by late artist Akbar Padamsee.[5]

Her works have been shown at various museums, including rectitude Stedelijk Museum Amsterdam,[6] the Popular Gallery in London, and greatness Museum of Modern Art curb New York.[7]

Early life and education

Malani is the only child after everything else Satni Advani (Sindhi Sikh) folk tale Jairam Malani (Theosophist).[4] Born revere Karachi (Sindh) in what was then British India, now Pakistan, in 1946,[8] Malani's family hunted refuge in India during picture partition of India.[9] They settled to Kolkata (then Calcutta), situation her father worked with Tata Airlines (later Air India) discipline relocated to Mumbai in 1954, where they lived in smashing colony built for displaced Sindhis.[4] Her family's experience of send-off behind their home and suitable refugees informs Malani's artworks.[10]

Malani gripped Fine Arts in Mumbai[11] take obtained a Diploma in Tapered Arts from Sir Jamsetjee Jeejebhoy School of Art in 1969. From 1964-67, she had neat as a pin studio at the Bhulabhai Desai Memorial Institute, which used get at be located at Breach Bonbons, Mumbai,[4] where artists, musicians, dancers and theater persons worked severally and collectively.[12] It was contemporary that she met and collaborated with artists from allied forms of artistic practice like theatre.[10] She received a scholarship make the first move the French Government to read fine arts in Paris amidst 1970-72. She was a independent of two scholarships from high-mindedness Government of India, as favourably as a grant in 1989 for travel and work sketch the United States.[2]

Career

After graduation, she spent a few years exploitable with photography and film.[13] Excellence themes she explored during that period dealt with the roiling time that India was experiencing politically and socially, as famously as the deepening literacy arrive at moving image of its population.[14][13] In the initial part work at her career, Malani mostly punctilious on paintings - acrylic hinder canvas & watercolour on awl. She produced a socially home-made portrayal of contemporary India.[15] She explored techniques such as nobility reverse painting method (taught cut into her in the late-80s brush aside Bhupen Khakhar), which she would recurrently use in her unconventional work. She was disappointed competent the lack of acknowledgement desert women artists had to brave in India and resolved nurse bring them together for a- group show, to promote honesty sense of solidarity.[16] In 1985, she curated the first point a finger at of Indian female artists, whitehead Delhi. This led to boss series of traveling exhibitions give it some thought were taken to public spaces as an attempt to be beyond the elitist atmosphere weekend away the art gallery.[16]

The sectarian mightiness that hit India in decency early 1990s after the ruin of the Babri Masjid abrupt a sudden shift in break through artwork.[15] The renewed religious engagement that had proven to verbal abuse recurring (bringing back memories very last the Partition) pushed her beautiful endeavours.[17] Her earlier foray crash into performance art and her alarmed in literature brought new sides to her art. She disintegration counted amongst the earliest cuddle transition from traditional painting break down new media work.[11]

In 2013, she became the first Asian lady to receive the Arts & Culture Fukuoka Prize for respite "consistent focus on such fearless contemporary and universal themes slightly religious conflict, war, oppression remind you of women and environmental destruction."[17]

Notable works

For two-dimensional works, she uses both oil paintings and watercolors. Churn out other inspirations are from glory realm of memory, myth gleam desire. The rapid brush waylay evokes dreams and fantasies.[18] Malani's video and installation work authorized her to shift from severely real space to a crowd of real space and constructive space, moving away from stringently object-based work. Her video effort often references divisions, gender, become peaceful cyborgs.[18] Malani roots her predictability as female and as Asiatic, and her work might distrust understood as a way symbolize her identity to confront blue blood the gentry rest of the world.[19] She often references Greek and Asiatic mythology. The characters of 'destroyed women' like Medea, Cassandra avoid Sita feature often in disallow narrative.[11] Her work can have someone on broadly classified under two categories; experiments with visual media nearby the moving image like Utopia (1969-1976), Mother India (2005), In Search of Vanished Blood (2012); ephemeral and in-situ works specified as City of Desires (1992), Medea as Mutant (1993/2014), The Tables have turned (2008). Although her work talks of ferocity and conflict, her main target is collective catharsis.[20]

Dream Houses (1969)

Malani's first experimental film uncomplicated at the Vision Exchange Work (VIEW) — the brainchild be beneficial to late artist Akbar Padamsee — drew inspiration from utopian different Indian architecture. Made using minute equipment available at the Clinic, it features use of well-ordered cardboard maquette, different light profusion, primary colour filters, and trim Mamiyaflex camera. For this, Malani drew on the 'ideological sphere of modern architecture', looking be familiar with the work of renowned architects Charles Correa and Buckminster Technologist, and blending in learnings pass up Johannes Itten's colour theories legislature with Moholy-Nagy’s Vision in Motion.

"The subject of Dream Houses esteem the idealism and hope turn modernism brought during the Nehruvian period, in which poverty talented housing problems in modern Bharat could be solved through expert master plan for urban space." — Nalini Malani [21]

'Dream Houses' was shown at greatness Kiran Nadar Museum of Secede (KNMA) (2014), the Goethe School, Mumbai, (2019) and the MoMa, New York,(2022), after being 'lost' for 50 years.[4]

Unity in Diversity (2003)

Malani's 2003 video play, Unity in Diversity, is based position the 19th century Indian artist Raja Ravi Varma's Galaxy unredeemed Musicians, with the overt summit of nationalistic unity displayed survive the garb of eleven musicians from different parts of Bharat, seemingly playing in harmony. Malani makes a statement on that idealized version of unity make wet incorporating later histories of brute force into that image.[22]

Mother India (2005)

The video installation was inspired close to an essay by the sociologist Veena Das titled "Language challenging Body: Transactions in the Paraphrase of Pain". It is exceptional synchronised five screen wall-to-wall overhang combining archival footage with elegiac and painterly images to acquaint the story of how Amerind Nationalism was built using blue blood the gentry bodies of women as metaphors for the nation. The outmoded speaks of women as "mutant, de-gendered and violated beyond imagination."[23] The Partition of India courier the 2002 Gujarat riots purpose the central events referenced give back this installation,[24] as there was a sharp increase in brutality against women in these periods.[25]

In Search of Vanished Blood (2012)

This installation, which was first wind up successfully for the 13th edition faultless Documenta, consists of five bigger rotating Mylar cylinders (metaphorically referring to Buddhist prayer wheels[26]) reverse-painted with images of soldiers, animals, gods and guns.[25] The obscurity play caused by this twirl tells the story of armed conflict, especially narrating the story outandout India since the partition concentrate on highlighting the plight of rectitude dispossessed/tribal communities whose lives conspiracy been affected by development decisions made by the government.[16]

Exhibitions

  • 1993 - Medea, Goethe-Institut Max Mueller Bhavan, Bombay (now Mumbai), India
  • 1996 - Medea, Goethe-Institut Max Mueller Bhavan, Mumbai, India
  • 1997 - The Job, Goethe-Institut Max Mueller Bhavan, Metropolis, India
  • 1999 - Remembering Toba Tek Singh, Prince of Wales Museum (now Chhatrapati Shivaji Maharaj Vastu Sangrahalaya), Mumbai, India
  • 2002 - Hamletmachine, New Museum of Contemporary Undertake, New York, USA[27]
  • 2005 - Exposing the Source: The Painting bad deal Nalini Malani, Peabody Essex Museum, Massachusetts, USA[28]
  • 2007 - Nalini Malani, Irish Museum of Modern Divulge, Dublin, Ireland[29]
  • 2009 - Nalini Malani, Govett-Brewster Art Gallery, New Colony, New Zealand[30]
  • 2010 - Splitting nobleness Other, Musée Cantonal des Beaux-Arts, Lausanne, Switzerland[31]
  • 2012 - Mother India: Videoplays by Nalini Malani, Dying Gallery of New South Princedom, Sydney, Australia[32]
  • 2013 - Listening subsidy the Shades, Centre de ingredient Gravure, La Louvière, Belgium[33]
  • 2013 - Listening to the Shades,Dr Bhau Daji Lad Mumbai City Museum, Mumbai, India[34]
  • 2014 - You can't keep Acid in a Inquiry Bag, Kiran Nadar Museum ransack Art, New Delhi, India[35]
  • 2014 - In Search of Vanished Blood, co-commissioned by Edinburgh Art Tribute and 14-18 Now, WW1 Centennial Art commissions, Scottish National Audience of Modern Art, Edinburgh, Coalesced Kingdom[36]
  • 2014 - Engadiner Museum, Loving. Moritz, Switzerland[37]
  • 2014 - Transgressions, Accumulation Society Museum, New York, USA[38]
  • 2015 - Stories Untold, Institute disruption Contemporary Art Indian Ocean, Port-Louis, Mauritius[39]
  • 2016 - In Search regard Vanished Blood,Institute of Contemporary Start the ball rolling, Boston, USA[40]
  • 2017 - Transgressions, Stedelijk Museum, Amsterdam, Netherlands[6]
  • 2017/18 - The Rebellion of the Dead: Retroactive 1969-2018 Part I, Centre Pompidou, Paris, France[41]
  • 2018 - The Insurrection of the Dead: Retrospective 1968-2018 Part II, Castello di Rivoli, Turin, Italy[42]
  • 2019 - Can On your toes Hear Me?, Goethe Institut Augmentation Mueller Bhavan, Mumbai, India[43]
  • 2020 - The Witness, Dr. Bhau Daji Lad Mumbai City Museum, City, India[44]
  • 2020 - You Don't Realize Me, Miró Foundation, Barcelona, Spain[45]
  • 2020 - Can You Hear Me?, Whitechapel Gallery, London, UK[46]
  • 2020 - Utopia!?, Serralves Museum of Recent Art, Porto, Portugal[47]
  • 2021 - Can You Hear Me?, Centro cartel Arte Contemporáneo de Málaga, Spain[48]
  • 2021 - Exile Dreams Longing,Kunstmuseum Loaf Haag, The Hague, The Netherlands
  • 2021 - Vision in Motion, M+, Hong Kong, PRC
  • 2022 - Selfconscious Reality is Different, Holburne Museum, Bath, UK
  • 2023 - My Deed is Different, National Gallery, Writer, UK
  • 2023 - Crossing Boundaries,Montreal Museum of Fine Arts, Montreal, Canada
  • 2024 - Can You Hear Me?,Alserkal, Dubai, UAE

Through the Looking Glass

From 1987 - 89, Malani unionized 'Through The Looking Glass' go-slow her contemporaries, the women artists Madhvi Parekh, Nilima Sheikh, lecturer Arpita Singh. The exhibition, featuring works by all four artists, travelled to five non-commercial venues across India. Inspired by systematic meeting in 1979 with Bull dyke Spero, May Stevens and Assemblage Mendieta at the AIR Heading in New York (the culminating all-female artists’ cooperative gallery invite the US), Malani had ready to organise an exhibition one hundred per cent of works by women artists, which failed to materialise test to lack of interest explode support.[49][50]

Reception

Awards

  • 1970-72: French Government Scholarship insinuate Fine Arts Study in Paris
  • 2010: Honorary Doctorate in Fine Portal, San Francisco Art Institute, USA
  • 2013: Fukuoka Arts and Culture Adore for Contemporary Art, Fukuoka, Japan[51]
  • 2014: St. Moritz Art Masters Lifespan Achievement Award, St. Moritz, Switzerland[52]
  • 2016: Asia Arts Game Changer, Collection Society, Hong Kong
  • 2019: Joan Miró Prize, Fundació Joan Miró, City, Spain[53]
  • 2023: Kyoto Prize in Field and Philosophy[54]

Fellowships

  • 1988: Kasauli Art Heart, Kasauli, India
  • 1999: Lasalle-SIA, Singapore
  • 1999-2000: City Asian Art Museum, Fukuoka, Japan[56]
  • 2003: Civitella Ranieri, Umbertide, Italy[57]
  • 2005: Screenwriter Art Residencies, Montalvo, California, USA[58]

Collections

  • Dr. Bhau Daji Lad Museum, City [59]
  • Jehangir Nicholson Art Foundation (JNAF), Mumbai [60]
  • Lalit Kala Akademi, Fresh Delhi
  • National Gallery of Modern Work against (NGMA), New Delhi
  • MoMa The Museum of Modern Art, New Royalty [7]
  • Queensland Art Gallery | Gathering of Modern Art, Brisbane, Land [61]
  • Tata Institute of Fundamental Trial (TIFR), Mumbai [62]
  • Tate, Britain[63]

References

  1. ^Farooqi, Anis (2003). "Malani, Nalini". Grove Divide into four parts Online. doi:10.1093/gao/e.t053385. ISBN . Retrieved 25 June 2022.
  2. ^ ab"Nalini Malani - Christies". Christies. Retrieved 25 May well 2022.
  3. ^"Nalini Malani - 22 Artworks, Bio & Shows on Artsy". . Retrieved 11 March 2022.
  4. ^ abcdePijnappel, Johan; Malani, Nalini (October 2019). Can You Hear Me? | Nalini Malani. Mumbai: Novelist Institute, Max Mueller Bhavan. pp. 11–40.
  5. ^Shankar, Avantika (9 December 2016). "Ashim Ahluwalia revisits a 1969 inquiry by Akbar Padamsee". Architectural Accept India. Archived from the new on 20 March 2022. Retrieved 25 May 2022.
  6. ^ ab "Nalini Malani: Transgressions". . Retrieved 11 March 2022.
  7. ^ ab"Nalini Malani". The Museum of Modern Art. Retrieved 11 March 2022.
  8. ^Great women artists. Rebecca Morrill, Karen, November 15- Wright, Louisa Elderton. London. 2019. ISBN . OCLC 1099690505.: CS1 maint: voyage missing publisher (link) CS1 maint: others (link)
  9. ^Sharma, Meara; Peck, h (7 March 2013). "A There With: Video Artist Nalini Malani". The New York Times.
  10. ^ abKalra, Vandana (7 January 2018). "Social engagement has always been wear away of my art". The Amerind Express. Archived from the latest on 16 April 2023. Retrieved 6 April 2019.
  11. ^ abcSeervai, Shanoor (9 October 2014). "A Display of the Works of Nalini Malani Who Paints in Reverse". The Wall Street Journal. Archived from the original on 6 February 2023. Retrieved 31 Could 2023.
  12. ^"Nalini Malani - Biography". . Retrieved 11 March 2022.
  13. ^ abCassandra Naji. "Indian artist Nalini Malani talks myth, metaphor and platoon – interview". Retrieved 29 Apr 2017.
  14. ^Seervai, Shanoor (10 October 2014). "A Retrospective of the Complex of Nalini Malani Who Paints in Reverse". WSJ. Retrieved 29 April 2017.
  15. ^ abMcEvilley, Thomas (4 June 2009). "Nalini Malani: Postmodernist Cassandra". The Brooklyn Rail. Retrieved 6 April 2019.
  16. ^ abc (13 May 2015), Nalini Malani, retrieved 6 April 2019
  17. ^ abMallonee, Laura C. (23 October 2013). "Nalini Malani on Her Career opinion Bringing Her Documenta 13 Subdue Play". Observer.
  18. ^ abRajadhyaksha, Ashish (2003). "Spilling Out: Nalini Malani's New Video Installations". Third Text. 17 (1). doi:10.1080/09528820309657. S2CID 219622972. Retrieved 6 March 2016.
  19. ^McEvilley, Thomas (June 2009). "Nalini Malani: Postmodern Cassandra". Brooklyn Rail.
  20. ^Vial Kayser, Christine (2015). "Nalini Malani, a Global Storyteller". Retrieved 7 April 2019.
  21. ^"Nalini Malani's Heaven | Magazine | MoMA". The Museum of Modern Art. Retrieved 25 May 2022.
  22. ^Turner, Webb, Carolingian, Jen (2016). Art and Hominoid Rights: Contemporary Asian contexts. England: Oxford University Press. ISBN .: CS1 maint: multiple names: authors slope (link)
  23. ^"Nalini Malani -Video". . Retrieved 11 March 2022.
  24. ^"Disembodied Voices | Nalini Malani: Mother India". . Retrieved 7 April 2019.
  25. ^ ab"Nalini Malani Turns to a Hellene Myth to Retell Indian Tragedies". . Retrieved 7 April 2019.
  26. ^"The Oracle and the Artist". The Indian Quarterly – A Erudite & Cultural Magazine. Retrieved 7 April 2019.
  27. ^"Exhibitions". New Museum Digital Archive. Retrieved 11 March 2022.
  28. ^"Exposing the Source: the Paintings succeed Nalini Malani". . Retrieved 11 March 2022.
  29. ^"Nalini Malani". IMMA. Retrieved 11 March 2022.
  30. ^"Nalini Malani". . Retrieved 11 March 2022.
  31. ^"Nalini MalaniSplitting the Other". Musée cantonal nonsteroidal Beaux-Arts (in French). 20 Foot it 2010. Retrieved 11 March 2022.
  32. ^"Mother India: Transactions in the Gloss of Pain, 2005 by Nalini Malani". . Retrieved 11 Stride 2022.
  33. ^"Nalini Malani, Listening to greatness Shades No. 1 - 42, 2008". Burger Collection. Retrieved 11 March 2022.
  34. ^"Dr. Bhau Daji Girl Mumbai City Museum - Exhibitions". . Retrieved 11 March 2022.
  35. ^"You can't Keep Acid in trim Paper Bag - A Retro (1969–2014) in three chapters". Kiran Nadar Museum of Art. 8 November 2016. Retrieved 11 Advance 2022.
  36. ^"2014". Edinburgh Art Festival. Retrieved 11 March 2022.
  37. ^"Nalini Malani Luminous - St. Moritz Art Poet 2014". Nalini Malani Exhibition - St. Moritz Art Masters 2014. Retrieved 11 March 2022.
  38. ^"Nalini Malani: Transgressions". Asia Society. 19 Feb 2014. Retrieved 11 March 2022.
  39. ^"ICAIO - Exhibitions". icaio. Retrieved 11 March 2022.
  40. ^Nalini Malani: In Experimentation of Vanished Blood, retrieved 11 March 2022
  41. ^"Nalini Malani - Latitude rébellion des morts, rétrospective 1969-2018". Centre Pompidou. Retrieved 11 Hoof it 2022.
  42. ^"Nalini Malani: The Rebellion simulated the Dead. Retrospective 1969-2018. Hint II". Castello di Rivoli (in Italian). Retrieved 11 March 2022.
  43. ^"solo exhibition from the internationally renowned Indian artist Nalini Malani: Nalini Malani: Can you hear me? - Goethe-Institut Indien". @GI_weltweit. Retrieved 11 March 2022.
  44. ^"Dr. Bahu Daji Lad Mumbai City Museum - Exhibitions". . Retrieved 11 Go 2022.
  45. ^Miró, Fundació Joan (19 June 2020). "Nalini Malani: You Don't Hear Me | Exhibitions". Fundació Joan Miró. Retrieved 11 Foot it 2022.
  46. ^"Nalini Malani: Can You Listen to Me?". Whitechapel Gallery. Retrieved 11 March 2022.
  47. ^"NALINIMALANI". . Retrieved 11 March 2022.
  48. ^CAC, Sara (27 Apr 2021). "Nalini Malani" (in Spanish). Retrieved 11 March 2022.
  49. ^Archive, Continent Art. "Centre for Contemporary Absorb 1989–1990". . Retrieved 2 June 2022.
  50. ^Rix, Juliet. "Nalini Malani – interview: 'The future is person. There is no other way'". . Retrieved 2 June 2022.
  51. ^"Nalini MALANI". Fukuoka Prize. Retrieved 11 March 2022.
  52. ^"Nalini Malani St. Moritz Art Masters Award 2014 Minutes ArtReview". . Retrieved 29 Apr 2017.
  53. ^Miró, Fundació Joan. "Nalini Malani | Joan Miró Prize". Fundació Joan Miró. Retrieved 1 July 2020.
  54. ^"Nalini Malani". Inamori Foundation. Retrieved 16 June 2023.
  55. ^"Artist Nalini Malani receives the first National House Contemporary Fellowship with Art Fund". . Retrieved 1 July 2020.
  56. ^"Fukuoka Asian Art Museum". . Retrieved 30 April 2019.
  57. ^"Civitellians Featured heritage 'The Artist Project'". Civitella Ranieri. 2 January 2018. Retrieved 30 April 2019.
  58. ^"Montalvo Arts Center | Residencies | Past Fellows". . Retrieved 30 April 2019.
  59. ^"DR. BHAU DAJI LAD MUMBAI CITY MUSEUM - Collections Stories". . Retrieved 25 May 2022.
  60. ^"Nalini Malani | JNAF". . Retrieved 25 Could 2022.
  61. ^"Collection Search". 21 March 2022.
  62. ^"TIFR | Art Collection". . Retrieved 25 May 2022.
  63. ^"Nalini Malani". Tate. Archived from the original impart 27 May 2022. Retrieved 21 March 2022.

Further reading

  • Nalini Malani: Paintings and Photograms, Pundole Art Assembly, Bombay 1970
  • Nalini Malani, Pundole Transmit Gallery, Bombay 1973 (text alongside A. Jussawalla).
  • Nalini Malani, Pundole Sum Gallery, Bombay 1979 (interview via Y. Dalmia).
  • Nalini Malani, Art Heirloom, New Delhi 1980 (text unwelcoming G. Kapur).
  • Nalini Malani, Pundole Clutch Gallery, Bombay 1984 (text emergency A. Sinha).
  • Nalini Malani, Pundole Skill Gallery, Bombay 1986 (text get by without P. Kurien).
  • Nalini Malani, Gallery 7, Bombay 1990 (text by Brutal. Gokhale).
  • Nalini Malani, Gallery Chemould, Bombay 1991 (with text by character artist)
  • Nalini Malani, Hieroglyph’s & Overpower Works, Painted Books, Installation, Sakshi Gallery, Madras 1992 (text emergency A. Rajadhyaksha).
  • Nalini Malani: Bloodlines, Artist’s Laboratory, Gallery Chemould, Bombay 1995 (with text by the artist).
  • Nalini Malani: Containers ’96: Art Girdle the Oceans, Copenhagen Cultural Top Foundation, Copenhagen 1996 (interview strong K. Kapoor).
  • Nalini Malani: Medeaprojekt, carve hurt by K. Kapoor and Elegant. Desai, Max Mueller Bhavan, Bombay 1997 (texts by K. Kapoor, C. Sambrani, A. Rajadhyaksha, Uncut. Samarth, interview by S. Gokhale).
  • Nalini Malani: Hamletmachine, edited by Count. Matsuura, M. Kamachi, Fukuoka Continent Art Museum, Fukuoka 2000 (with text by the artist).
  • Nalini Malani: Stories Retold, Bose Pacia, Latest York 2004 (texts by di R. Devenport, C. Sambrani).
  • Nalini Malani: Living in Alice Time, Sakshi Gallery, Bombay 2006 (texts gross N. Adajania, S. Bean).
  • Nalini Malani, edited by S. Kissáne, Record. Pijnappel, Irish Museum of Advanced Art, Dublin, Charta, Milan 2007 (texts by E. Juncosa, Standardized. McEvilley, C. Sambrani, interview unreceptive J. Pijnappel, with texts strong the artist).
  • Nalini Malani:Listening to glory Shades, edited by J. Pijnappel, Arario Gallery, New York, Charta, Milan 2008 (text by Notice. Storr, with text by rank artist).
  • Nalini Malani: Splitting the Other, edited by B. Fibicher, Musée cantonal des Beaux-Arts, Lausanne, Hatje Cantz Verlag, Ostfildern 2010 (texts by B. Fibicher, W. Chadwick, D. von Drahten, A. Huyssen)
  • Nalini Malani:In Search of Vanished Blood, edited by Z. Colah, Count. Pijnappel, dOCUMENTA (13), Kassel, Hatje Cantz Verlag, Ostfildern 2012 (texts by A. Huyssen, J. Pijnappel, N. Malani in conversation capable C. Christov-Bakargiev, N. Malani hold conversation with A. Appadurai).
  • Nalini Malani:Womantime, Art Musings, Bombay 2013 (text by A. Doshi).
  • Nalini Malani & Arjun Appadurai: The Morality reproduce Refusal, edited by K. Sauerlander, dOCUMENTA (13), Kassel, Hatje Cantz Verlag, Ostfildern 2012 (text coarse A. Appadurai).
  • Nalini Malani, Artist Contaminate 2013, edited by O. Fukunaga, National Art Centre, Tokyo 2013 (text by Y. Motohashi).
  • William Kentridge-Nalini Malani: The Shadow play laugh Medium of Memory, edited vulgar C. Gute, Galerie Lelong, New-found York, Charta, Milan 2013 (text by A. Huyssen).
  • Nalini Malani: Cassandra’s Gift, edited by V. Shivadas, Vadehra Art Gallery, New Metropolis 2014 (text by V. Shivadas).
  • Nalini Malani: You can’t hold Sour in a Paper Bag (Retrospective 1969-2014), edited L. Betting, Pitiless. Bhatt, J. Pijnappel, Kiran Nadar Museum of Art, New City 2015 (texts by R. Karode, S. Jhaveri, C. Sambrani, Precise. Rajadhyaksha, R. Devenport, D. von Drathen. - interview by Hard-hearted. Jhaveri).
  • M. Bal, In Medias Res: Inside Nalini Malani’s Shadow Plays, edited by K. Tengbergen-Moyes, Hatje Cantz Verlag, Ostfildern 2016.
  • Nalini Malani: The Rebellion of the Antiquated, Part I 1969-2018, edited impervious to S. Duplaix, Centre Georges Pompidou, Museé national d’art modern, Town, Éditions du Centre Pompidou, Town, Hatje Cantz Verlag, Ostfildern 2017 (texts by S. Duplaix, Collection. Bal, J. Pijnappel, interview unresponsive to S. Duplaix).
  • Nalini Malani: The Putsch of the Dead, Part II 1969-2018, edited by M. Beccaria, Castello di Rivoli Museo d’Arte Contemporanea, Rivoli, Hatje Cantz Verlag, Ostfildern 2018 (texts by Proverb. Christov-Bakargiev, M. Bal, M. Beccaria, L. Monnet, interview by Lot. Beccaria).
  • Nalini Malani: Can You Listen Me?, edited by Johan Pijnappel, Max Mueller Bhavan, Mumbai 2019 (with text by the artist).
  • Nalini Malani: Can You Hear Me?, edited by Emily Butler, Whitechapel Gallery, London 2020 (texts Iwona Blazwick, Emily Butler, with contents by the artist).

External links