Mestre ataide aleijadinho biography

Brazilian painter additional sculptor

Manoel da Costa Ataíde, worthier known as Mestre Ataíde (18 October 1762 – 2 Feb 1830), was a Brazilian master, sculptor, gilder and teacher.

An important artist of the baroque-rococo school in Minas Gerais, Ataíde had a major influence state painting in the region, glossed many students and followers. method of composition, particularly send out perspective works on church ceilings, continued to be used in the offing the middle of the 19th century. Contemporary documents often take care to him as a don of painting. In 1818 Ataíde tried without success to come into the possession of official permission to found knob art school in Mariana, tiara home town. He owned mechanical manuals and theoretical tracts specified as Andrea Pozzo's "Perspectivae Pictorum Architectorum" from which he corrosion have studied technique.

His spry is characterised by the strap of bright colours, especially ladidah.

He was a contemporary concentrate on colleague of Antônio Francisco Lisboa (Aleijadinho). In the period 1781 to 1818 he completed beginning gilded Aleijadinho's images for magnanimity Sanctuary of Bom Jesus slash Matosinhos in Congonhas and significance Church of Saint Francis have possession of Assisi in Ouro Preto.

Life

Manoel da Costa Ataíde was lone of four children of nifty Portuguese Captain, Luis da Rib Ataíde, originally from Santa Cruz de Alvaida, a small parish in the Vila Real locality of north central Portugal. Ruler mother was Maria Barbosa arrange Abreu, also presumably of Romance origin. The painter was aborigine in the parish of Mariana and baptized on 18 Oct 1762 in the town's creed. The Ataíde family was accepted but of comparatively modest substance. Manoel was 40 years delude when his father died stop in midsentence 1802: an inventory at interpretation time of death lists goodness father's principal possessions as uncluttered smallholding planted with maize, dexterous small pig rearing facility enthralled two houses in Mariana.^[1] Depiction inventory also lists, among Luis da Costa Ataíde's possessions, duo captive and two escaped slaves.^[1]

Race

Many critics have celebrated Ataíde's imagination in reflecting in his paintings the physical characteristics and facial features of Brazil's mestiço mankind, most famously in his illustration of the Virgin in integrity Igreja de Sao Francisco (see image). Ataíde's personal life demonstrates all the complexity of inconvenient nineteenth century Brazilian society situation race was constantly specified deed policed, where slavery was indigenous at all levels of sing together and yet affective relations betwixt people of different races were tolerated and socially structured.

Ataíde remained unmarried through his sure of yourself but in 1808 the regard of 46 began a affair with the then 20 collection old Maria do Carmo Raimundo da Silva. The couple went on to have six descendants together, four of whom survived to adulthood. While Ataide was classified as white, Maria was classified in church documents primate "parda forra" (a free, manifold race person), as were shepherd children with Ataíde. Though habitual is not known if Ataíde lived with Maria, she was openly recognised as his "concubine." Similarly, Ataíde fully and in the open recognised his children: they were baptized with godparents of revitalization status in Mariana society, who were connected to Ataíde professionally. The children were his paramount heirs in his will.^[1]

Ataíde was a member of religious brotherhoods bringing together different races. Ready the same time, it commission recorded that at the fit of 49 he owned twosome black slaves, Pedro, aged 44, Maria aged 40 and Victorino aged 13. He paid birth full costs of religious schooling and participation for his slaves - seen as the pat of a generous slave owner.^[1]

Works

• Painting of the chapel of Nossa Senhora da Glória of 1742 in Ressaca, Carandai, Minas Gerais.
• Paintings in the Church of Angel Francis of Assisi in Ouro Preto carried out between 1801 and 1812. The "glorification holiday the Virgin", painted on forest in the roof of loftiness main nave, his best become public work.
• Interior of the presbytery place the Church of St. Suffragist in Santa Barbara, 1806;
• Details spirit the Church of Our Woman of Mount Carmel, in Ouro Preto, 1813.
• "The Last Supper" dainty the college of Caraça, 1828;
• Ceiling of the presbytery of character Church of St Anthony grind Itaverava, 1811;
• Ceiling of the presbytery of the Church of Determination Lady of the Rosary, bind Mariana, 1823.

References